Wednesday, June 15, 2011

My unofficial 2011 Polaris Prize ballot

I'm not Canadian, but I play one on teevee. And I sure do love the Canadian indie rock. Everyone knows that. This week will be a fun one for lovers of independent Canadian music because the long list for the 2011 Polaris Music Prize will be announced.

The Polaris Prize, named for the North Star, is an award given annually (since 2006) for the best full-length Canadian album, based "solely on artistic merit, without regard to genre, sales history or label affiliation". For an album to be eligible, it must have been released (digitally or otherwise) between June 1 of the previous year and May 31 of the award year.

The grand prize this year is $30,000 cash. That's a bump from the previous grand prize of $20,000. In addition, the "short list" finalists will each get $2,000 cash.

This year's jury consists of 227 music fans who regularly review Canadian music. They're mostly bloggers and independent music journalists, with a few mainstream music journalists in there for good measure. They each nominate five records. From that, there's a compiled "long list" of 40 finalists. That list will be released on Thursday June 16. The same jury will cull that list down to 10, and that "short list" will be released on Wednesday July 6. There's a big gala on Monday September 19, at which all of the shortlisted bands will perform. At the end of it all, the winner gets a giant check for $30k.

I'll get to what my ballot would look like in a bit, but first, a little more about the jury. Here's the list of jurors this year. You can see that there's a wide range of accreditation, ranging from bloggers to MTV-types, commercial radio stations of varying format, and jurors from every province. By rule, these jurors cannot have any direct relation with a band or label on their ballot, but I've learned that at least one juror has nominated his own band.

I like that the list of jurors isn't kept secret. I also like that they're not prohibited from publishing their ballots to the public. Some of them have done just that.

Reading some of these official ballots and some "unofficial" ballots from other bloggers has been fun. I've been exposed to some stuff that I otherwise wouldn't have known. At least one went from "I've never heard of them" to "that's on my Polaris ballot if I'm a juror" with the blink of an eye.

Without further ado, and in no particular order, my five picks:

  • Kathryn Calder -- Are You My Mother?. (released digitally on June 29, 2010 and physically in August). The New Pornographer from Victoria, BC took time off from her two bands Immaculate Machine and the Pornos to work on this record, and she did well with it. I rated it my seventh favourite Canadian record of the calendar year 2010, and in retrospect, I was selling it short. Unlike some of the records on that 2010 retrospective, it took a while for me to get into that record. I said then, and I'll say the same thing now, that I like it more and more each time I listen to it. These songs are really well-crafted, honest songs by a woman who's too young to have already had such a prolific career. These days, I'm partial to the song "If You Only Knew", which could easily pass for one of The Magnetic Fields' 69 Love Songs.
    I think this has a very good chance of making the long list, a slim chance of making the short list, and virtually no chance of winning the grand prize.

  • Rah Rah -- Breaking Hearts (released June 1, 2010) I have to admit that I had never heard of this band until I started to sniff around, looking for mentions of Polaris ballots. A few official and unofficial ballots mentioned them, so I thought I would check it out. More often than not, this sort of endeavor ends up bearing no palatable fruit, but I liked what I found in this case. This is the second record from the Regina, SK group which has at least six and possibly as many as eight members. They switch up their instruments a lot, which seems to be en vogue again, like it was in 1995. Because of this, and because they share the vocals, their songs don't all sound the same. On several tracks, particularly "Arrow" and "Ghosts", they remind me of a young Broken Social Scene. Remember what BSS was like when they still remembered that making records is fun? On "Henry", I'm reminded of Funeral-era Arcade Fire. That's probably just because of the backing vocals. On some other tracks, they remind me of The Rosebuds. On others, particularly "Parkade", they remind me of some cross between Sharon Van Etten and Wye Oak. These are just things that my unsophisticated ears hear. Other listeners might get different things entirely. No matter what, I've discovered that this band has fun. In this video for "Henry", the band members are on stage and they're also featured as patrons of the bar/piñata party.


    It might be the case that this is just a flavor o' the week, but right now I'm really digging it, so it's making the cut.

    It should make the long list with a great chance of making the short list. I don't see it as a serious contender for the grand prize.

  • Speaking of Arcade Fire, the Montréal band and their record, The Suburbs need no synopsis. It's really good, and it was released on August 2, 2010. It's already won the 2011 Juno Award, the 2011 Grammy for best album and a couple of other awards. This might make them "too big" for most jurors to comfortably vote for them; it's generally understood that the Polaris Prize is for the "little guys". Despite winning those big prizes, they're still "little guys". They're still on an independent record label. Although they are a headlining act on a bunch of festival shows, it's not like they're filling soccer stadiums on their own.
    I think some voters will have trepidation about voting for them, but I still think it's a lock for the short list and I think it has a very good chance of winning the grand prize.

  • The Rural Alberta Advantage -- Departing (released on March 1, 2011) This three-piece has been one of my favorite new bands of the past three years, ever since their debut record Hometowns put me on my ass in 2009. Originally from small towns in Alberta, they're presently situated in an artsy neighborhood of Toronto. They've earned comparisons to Neutral Milk Hotel, primarily because Nils Edenloff sings like Jeff Mangum. The core of the band is drummer Paul Banwatt, who plays busy, heavy, energetic, almost jazz/big band-like beats. I've heard somebody compare him to Gene Krupa, but I think that might be taking it too far. Anyway, it's a great record, and they put on a really good live show.
    This video for the song "Stamp" is a really good example of Banwatt's skill, but I'll also recommend the official video for the same song

    The Rural Alberta Advantage - Stamp from Saddle Creek on Vimeo.


    I'll be surprised if this album doesn't end up on the short list, and I'll only give it a small chance of winning the grand prize.

  • Braids -- Native Speaker (released on January 18,2011). This four-piece from Montréal originated from Calgary, where they were high school buds. There, they were called The Neighbourhood Council and they released an ep called Set Pieces. They achieved great success with that, then moved to T-dot so three of them could go to McGill University. This is a phenomenal record whose best classification might be "synth-dream-pop". When it first came out, I was instantly blown away, and I was quick to compare it to the Stridulum II album by Zola Jesus, which was one of my favorites from 2010. There's a lot of layering and looping and stuff like that, so there's going to be comparisons to Animal Collective. Either way, I like it a lot. Here they are, playing "Lemonade", one of my favorite songs on the seven-song record:

    Braids Live at Sonic Boom Records from NOW Magazine on Vimeo.


    I think this should easily make the short list, and has a realistic chance of winning the grand prize.
I'll give honourable mention to Carriage by Forest City Lovers (released June 22/29, 2010). I love this Toronto band, but it just didn't make the top five. Also, The Five Ghosts by Montréal's Stars (released June 21, 2010). Same thing. I love this album. Both it and Carriage made the cut on an earlier version of my unofficial ballot, but after much shuffling and hair-pulling, I had to leave them out. I won't be surprised to see them both on the long list, but I will be surprised (personal feelings aside) if either ends up on the short list.

If you've got an unofficial (or even an official) Polaris ballot of your own, I'd like to see it. Leave it in the comments or leave a link to your blog.

12 comments:

Bill Purdy said...

I like that Braids record a lot - pastoral female-fronted indietronica (a la High Places), punctuated with dirty words. Didn't realize until just now they weren't from Brooklyn.

Bill Purdy said...

...and I'll go right ahead and nominate Tim Hecker's Ravedeath, 1972 even though not everybody likes ambient (as good as Hecker's is).

d-lee said...

And what are your other four records, Bill?

Bill Purdy said...

I know this isn't exactly how the game is played, but how about I promise to post my personal short list later today instead?

Bill Purdy said...

OK, now that I've seen the shortlist, I can admit to considering (in addition to Braids and Tim Hecker), Black Mountain, Galaxie, The Weeknd, and Young Galaxy. I was also thinking of the new Miracle Fortress, but was confused about its eligibility. Nice to see it here... it's a terrific record.

Bill Purdy said...

Longlist, long list. Sheesh. I need to stop trying to converse while on the phone, working.

d-lee said...

I actually haven't heard the new Miracle Fortress, but I love Five Roses. I'm not sure why you're confused about Was I the Wave?'s eligibility. It was released on April 26. The cutoff is May 30.
I thought that I had the Black Mountain record, but I don't. The Weeknd just isn't my bag of doughnuts. You already know how I feel about the new Young Galaxy record. I'm dying to hear the Tim Hecker record (cough, cough). I've only heard snippets of it. I know nothing of Galaxie.
Nothing that CBC Radio3 can't fix.

d-lee said...

Oh. They're Frenchy. Since Karkwa won last year, I wouldn't expect another French-speaking band to win this soon.

Bill Purdy said...

FYI, I'm missing the following from this year's list. Anything with a * I have earlier albums, just not the most recent 2011 Polaris-nominated one.

Louise Burns
D-Sisive *
Luke Doucet
Eternia & MoSS
Hey Rosetta *
Little Scream
The Luyas
$100 *
Doug Paisley
PS I Love You
Daniel Romano
Ron Sexsmith
Shotgun Jimmie
Frederick Squire

Which ones are you looking for?

d-lee said...

I'm missing quite a bit more than you are. Anything with a * means I have earlier stuff

Austra
Black Mountain (I swore that I already had this one)
Louise Burns
The Dears* (I thought I had this one, too)
Dirty Beaches*
Jenn Grant
Tim Hecker
Hey Rosetta
Hooded Fang
Imaginary Cities
Little Scream
The Luyas
Malajube
Miracle Fortress*
One Hundred Dollars
PS I Love You
Ron Sexsmith
Shotgun Jimmie

Now that I've listened to at least a few songs by each of these, I also know that I am missing, but have no interest in:

Buck 65
D-Sisive
Diamond Rings
Eternia & MoSS
Galaxie
Doug Paisley
Daniel Romano
Frederick Squire
Timber Timbre
Women
Neil Young (I know, I know)

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